Older article, but worth the read!
The new exhibition ‘Americans’ at the National Museum of the American Indian prompts a deeper dive for historic truths
When you think of the Trail of Tears, you likely imagine a long procession of suffering Cherokee Indians forced westward by a villainous Andrew Jackson. Perhaps you envision unscrupulous white slaveholders, whose interest in growing a plantation economy underlay the decision to expel the Cherokee, flooding in to take their place east of the Mississippi River.
What you probably don’t picture are Cherokee slaveholders, foremost among them Cherokee chief John Ross. What you probably don’t picture are the numerous African-American slaves, Cherokee-owned, who made the brutal march themselves, or else were shipped en masse to what is now Oklahoma aboard cramped boats by their wealthy Indian masters. And what you may not know is that the federal policy of Indian removal, which ranged far beyond the Trail of Tears and the Cherokee, was not simply the vindictive scheme of Andrew Jackson, but rather a popularly endorsed, congressionally sanctioned campaign spanning the administrations of nine separate presidents.
These uncomfortable complications in the narrative were brought to the forefront at a recent event held at the National Museum of the American Indian. Titled “Finding Common Ground,” the symposium offered a deep dive into intersectional African-American and Native American history.
For museum curator Paul Chaat Smith (Comanche), who has overseen the design and opening of the widely lauded “Americans” exhibition now on view on the museum’s third floor, it is imperative to provide the museum-going public with an unflinching history, even when doing so is painful.
“I used to like history,” Smith told the crowd ruefully. “And sometimes, I still do. But not most of the time. Most of the time, history and I are frenemies at best.” In the case of the Trail of Tears and the enslavement of blacks by prominent members of all five so-called “Civilized Tribes” (Cherokee, Chickasaw, Choctaw, Creek and Seminole), Smith went one step further, likening the ugly truth of history to a “mangy, snarling dog standing between you and a crowd-pleasing narrative.”
“Obviously,” Smith said, “the story should be, needs to be, that the enslaved black people and soon-to-be-exiled red people would join forces and defeat their oppressor.” But such was not the case—far from it. “The Five Civilized Tribes were deeply committed to slavery, established their own racialized black codes, immediately reestablished slavery when they arrived in Indian territory, rebuilt their nations with slave labor, crushed slave rebellions, and enthusiastically sided with the Confederacy in the Civil War.”
In other words, the truth is about as far a cry from a “crowd-pleasing narrative” as you could possibly get. “Do you want to hear that?” Smith asked the audience. “I don’t think so. Nobody does.” And yet, Smith is firm in his belief that it is a museum’s duty to embrace and elucidate ambiguity, not sweep it under the rug in the pursuit of some cleaner fiction.
Tiya Miles, an African-American historian at the University of Michigan, agrees. At the “Finding Common Ground” event, she meticulously laid out primary-source evidence to paint a picture of Indian/African-American relations in the years leading up to the Civil War.
Native Americans, she said, had themselves been enslaved, even before African-Americans, and the two groups “were enslaved for approximately 150 years in tandem.” It wasn’t until the mid 18th-century that the bondage of Native Americans began to wane as Africans were imported in greater and greater numbers. Increasingly, where white colonists viewed Africans as little more than mindless beasts of burden, they saw Native Americans as something more: “noble savages,” unrefined but courageous and fierce.
Perversely, Native American ownership of black slaves came about as a way for Native Americans to illustrate their societal sophistication to white settlers. “They were working hard to comply with government dictates that told native people that in order to be protected and secure in their land base, they had to prove their level of ‘civilization,’” Miles explained.
How would slave ownership prove civilization? The answer, Miles contends, is that in capitalism-crazed America, slaves became tokens of economic success. The more slaves you owned, the more serious a businessperson you were, and the more serious a businessperson you were, the fitter you were to join the ranks of “civilized society.” It’s worth remembering, as Paul Chaat Smith says, that while most Native Americans did not own slaves, neither did most Mississippi whites. Slave ownership was a serious status symbol.
How Native American Slaveholders Complicate the Trail of Tears Narrative
H/T Mrtazzman
Calamity Jane